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Pour shot

 

CAMERA
35mm camera
150mm lens attached to a bellows

SETUP
A laser trigger was placed above the top of the glass with 2 soft-lights to the left and right. A delay module was used to adjust the delay long enough for the liquid hit bottom and start back up the sides of the glass before triggering an electronic cable release . The backdrop was silver fabric and is out of focus enough to avoid seeing the texture of the weave. I often use long lenses for selective focus and when working with small objects I find they produces a more natural perspective.

Photo by Peat
 

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